About

Art shaped by science and nature

Becca creates original oil, acrylic, and latex paintings alongside small assemblage sculptures built from found objects. Each piece begins with close observationโ€”patterns in growth, structure, weather, erosion, and the quiet systems that shape the natural world.

The studio practice balances intuition with research, moving between material experimentation and careful composition. The result is a body of work that feels both organic and deliberate, with texture, form, and color doing as much storytelling as words.

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Artist working with paint in a studio setting

Inside the practice

A closer look at the ideas, materials, and making process behind Beccaโ€™s work.

Close view of paint being applied to canvas
Inspiration

Observation first

Science and nature provide the visual language for the workโ€”from cellular structures and geological surfaces to shifting light, plant forms, and collected fragments.

Natural patterns

Scientific curiosity

Field notes and sketches

Mediums

Material variety

Paintings in oil, acrylic, and latex allow different surfaces and rhythms to emerge, while assemblage pieces bring found materials into conversation with line, balance, and texture.

Oil, acrylic, latex

Found-object sculpture

Texture-led composition

Assemblage-style found object artwork
Creative studio atmosphere with plants and natural light
Process

Built through layers

Works develop through testing, revision, and accumulation. Some pieces begin with broad gestures, others with collected objects, but all are refined through a slow, attentive process.

Experimentation

Layering and revision

Curated final forms

Studio perspective

A quiet, curious approach

The work is rooted in paying attention: to surfaces, to small shifts, to the ways natural systems repeat and transform. That attention carries through every stage of the studio process, from selecting materials to deciding when a piece feels complete.


Rather than separating painting and sculpture, the practice treats them as connected ways of thinking. Color, texture, structure, and collected matter all become tools for exploring how the world is built and how it changes over time.

Iโ€™m interested in the meeting point between observation and intuitionโ€”where scientific forms, natural textures, and found materials can become something quietly unexpected.

Becca

The website is designed as a curated space to explore recent work, follow new developments in the journal, and get in touch about available pieces, commissions, or studio inquiries.

Start a conversation

Interested in available work, commissions, or learning more about the studio practice? Get in touch.